More on poetry

I have a partially-formed idea up my sleeve, and I need your help. If you have a favorite poem, please send it to me (either as a comment on this posting, or by email) along with a line or two about why you like it. Don't forget to include author and title if you know them. Thanks!

By the way, if you want to see the official press release about the NT Literary Awards (including a photo of me receiving mine), look here. Thanks, Greg, for pointing this out.

The local Katherine paper (a weekly) published an article about me which contained errors in the headline, the photo caption, and within the body of the article. Impressive really, to make so many mistakes in so few words. Might be seen as kind of an art form in itself...

3 comments:

  1. An Absolutely Ordinary Rainbow

    By Les Murray

    The word goes round Repins,
    the murmur goes round Lorenzinis,
    at Tattersalls, men look up from sheets of numbers,
    the Stock Exchange scribblers forget the chalk in their hands
    and men with bread in their pockets leave the Greek Club:
    There's a fellow crying in Martin Place. They can't stop him.

    The traffic in George Street is banked up for half a mile
    and drained of motion. The crowds are edgy with talk
    and more crowds come hurrying. Many run in the back streets
    which minutes ago were busy main streets, pointing:
    There's a fellow weeping down there. No one can stop him.

    The man we surround, the man no one approaches
    simply weeps, and does not cover it, weeps
    not like a child, not like the wind, like a man
    and does not declaim it, nor beat his breast, nor even
    sob very loudly - yet the dignity of his weeping

    holds us back from his space, the hollow he makes about him
    in the midday light, in his pentagram of sorrow,
    and uniforms back in the crowd who tried to seize him
    stare out at him, and feel, with amazement, their minds
    longing for tears as children for a rainbow.

    Some will say, in the years to come, a halo
    or force stood around him. There is no such thing.
    Some will say they were shocked and would have stopped him
    but they will not have been there. The fiercest manhood,
    the toughest reserve, the slickest wit amongst us

    trembles with silence, and burns with unexpected
    judgements of peace. Some in the concourse scream
    who thought themselves happy. Only the smallest children
    and such as look out of Paradise come near him
    and sit at his feet, with dogs and dusty pigeons.

    Ridiculous, says a man near me, and stops
    his mouth with his hands, as if it uttered vomit -
    and I see a woman, shining, stretch her hand
    and shake as she receives the gift of weeping;
    as many as follow her also receive it

    and many weep for sheer acceptance, and more
    refuse to weep for fear of all acceptance,
    but the weeping man, like the earth, requires nothing,
    the man who weeps ignores us, and cries out
    of his writhen face and ordinary body

    not words, but grief, not messages, but sorrow,
    hard as the earth, sheer, present as the sea -
    and when he stops, he simply walks between us
    mopping his face with the dignity of one
    man who has wept, and now has finished weeping.

    Evading believers, he hurries off down Pitt Street.

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  2. This has long been a favourite poem of mine. Les Murray if you haven't heard of him is an Australian poet from NSW (born 1950 something??). Who coincidently is a friend of my mum's (hemhem)he gave me a book of poems by Sophie Hannah (he thought this was my name) which is also very good.
    The poem is set in Sydney CBD where Pitt st. and George st.'s are the two main streets ( parralell) in Sydney city.

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  3. The Journey

    One day you finally knew
    what you had to do, and began,
    though the voices around you
    kept shouting
    their bad advice--
    though the whole house
    began to tremble
    and you felt the old tug
    at your ankles.
    "Mend my life!"
    each voice cried.
    But you didn't stop.
    You knew what you had to do,
    though the wind pried
    with its stiff fingers
    at the very foundations,
    though their melancholy
    was terrible.
    It was already late
    enough, and a wild night,
    and the road full of fallen
    branches and stones.
    But little by little,
    as you left their voices behind,
    the stars began to burn
    through the sheets of clouds,
    and there was a new voice
    which you slowly
    recognized as your own,
    that kept you company
    as you strode deeper and deeper
    into the world,
    determined to do
    the only thing you could do--
    determined to save
    the only life you could save.

    -mary oliver

    mary oliver. a true wordsmith. her spin on life is one i cherish. & i esp. like the notion of mending in general. and then to think of mending a life. true fodder! *polly

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